Story:
There are universes being created all the time, always
expanding, and always running simultaneously. Though,
they are not exactly alike in structure and in progress,
there is a balance that binds them together, an energy.
In each world, there is an individual that is represented.
That individual carries in itself a particular energy
flow that is equally distributed among the rest of the
same individuals throughout the other universes. Whenever
one of those individuals die, the energy leaves the
body and splits among the rest of the survivors, making
the remaining a little more powerful.
There is one who looks to destroy this balance.
Yulaw (Jet Li), a multiverse terrorist, is traveling
through the universes killing his identicals in order
to achieve this power. In his latest attempt, Yulaw
escapes from the multiverse law enforcements and arrives
into the last world where his final identical resides.
Gabriel (Jet Li) is the only remaining twin that stands
between Yulaw and his ultimate goal of achieving the
power and status of "The One."
Review: Oh man, oh man, oh man
If it wasn't for Jet Li, I doubt I'd be anywhere
near this. And I think I can safely say the same for
everyone else. I mean, this movie could have been
bad, but if it wasn't for the enduring love that we
all have for this one man, we probably wouldn't be
giving this movie the time of day.
But we do love Jet Li nonetheless and his newest
film, "The One" isn't too shabby at all.
Considering the shoddy script and the bare bone storyline,
I think I walked out of the theater alive and intact
and even smiling a bit. Heck, I can honestly say that
I was relatively pleased with what I saw.
Quite possibly this love we have for Jet Li could
be considered somewhat shallow. I mean, we just love
to watch this man kick some serious ass. For some
reason, I find myself in an orgasmic state whenever
I see Jet Li pummeling down upon a poor unfortunate
soul who forgot to study up on his Kung Fu the night
before. Be it Donne Yen (Once Upon a Time in China
II) or Russell Wong (Romeo Must Die),there is a sense
of thrill and excitement in seeing anyone being thrashed
at the end of one of Jet Li's elbows. But the Million
Dollar Question is: Would we love it all the same
if he were kicking his own ass?
Million Dollar Answer: Hell fucking yeah!
What "The One" really has going for itself
is the fight scenes (duh!). There is something utterly
beautiful when you can throw a cop's body across the
screen, punch two more cops after this, and then finally
reaching the thrown body and laying down some damage.
This scene I just described is how they portray the
speed of his skills. Everything slows down while he
moves at a regular speed, punching and kicking everything
in sight. Some of the other ways "The One"
demonstrates his sheer power and speed is the ease
at picking heavy objects up and ripping things in
half. One of my favorite scenes was when Jet Li uses
the police motorcycles as a baseball bat and begins
using the policemen as baseballs.
The cinematography is rich in movement and pretty
much reinvents itself in every action sequence. There
are a few scenes in "The One" that are incredibly
beautiful and the camera work helps create a sense
of awe and coolness for them. One notable scene is
the final fight between Gabriel and Yulaw where they
are on a bridge railing. The camera moves in both
quick-pans and slow motion and pretty sets up the
atmosphere and energy for the particular piece. Other
than the fighting, this was one of the more positive
points about this film.
Though the script and storyline were a little on
the slim side, the premise in all actuality is pretty
interesting. If anything, I wouldn't mind seeing a
sequel to this because the idea that there are two
people who are constantly at odds with one another,
one who attempts to break the equilibrium of the universe
in order to be a god, and the other preserving that
balance, is deep and profound itself. If it wasn't
for the dialogue or quickly thrown together exposition,
director James Wong and writer Glen Morgan could have
possibly created a whole franchise on this idea alone.
Another gripe I had with the picture was with the
music. Yeah, it's not your usual James Horner score
or anything, but instead of placing music that appropriately
fitted into the action scenes or even the dramatic
parts, it seemed like Revolution Studios just wanted
to sell a soundtrack. And that in itself is a very
poor way to go about it. If it weren't for the amazing
sound effects that accompanied those action scenes,
it would have made it difficult to sit through a lot
of it.
Jason Statham and Delroy Lindo as the multiverse
cops were a nice touch. What I liked about them is
they helped out in giving the movie a more serious
tone. The relationship between Yulaw and Roedecker
(Delroy Lindo) in itself added a sense of dynamics
to the story. The dualistic touch they included was
building a friendship between Funsch (Jason Statham)
and Jet Li's Gabriel. Carla Gugino's portrayal of
Gabriel's wife, TK, was only there to regulate drama
and to add a romantic pitch to the character of Gabriel.
For the most part, the supporting cast did their job
and did it wonderfully. If anything, Jason Statham
deserves some recognition for playing it super cool.
The most disappointing element of this film is the
use of Jet Li. In an attempt to cater to the hordes
of Jet Li fans, Revolution Studios wanted to use "The
One" as avehicle to just have amazing action
scenes. And in many ways, it can be considered an
insult to us who really believe the fact that he is
worth more than a spectacle. In Asia, most actors
and actress contain the "Triple Threat"
attribute, as in they can act, sing and do martial
arts and Jet Li is no exception. We've all come to
love Jet Li, not only for his prowess and martial
ingenuity, but because we allhave connected at one
time or another to the characters that he has portrayed.
There is no doubt that Jet Li can act. And though
it is really difficult for him tohave this transition
to American cinema, and the fact that his mannerisms
and his accent don't translate that well through an
American lens, America in general should really give
him the benefit of the doubt. Instead of using "pieces"
of Jet Li, they should really utilize the whole of
him, giving him the screen time and the freedom he
deserves if these Hollywood Studios ever want to make
a Jet Li a star. But of course, all this comes in
baby steps. What happens in a few years from now might
be a whole different story. Only in retrospect will
we be able to realize his place in American cinema.
I'll tell you this right now: Don't expect "Once
Upon a Time in China." But at the same time,
you're not going to end up seeing a rehashing of "Romeo
Must Die." "The One" is innovative
enough to quench the thirst for you action fans out
there. However, it isn't going to fulfill the appetites
for the martial art purists and enthusiasts within
you. It's definitely a kick movie and very, very fun
if you come in with an open mind. Jet Li by himself
would have done it for me and "The One"
will hopefully kick up his Hollywood status a little
more since it's the biggest opening for a Jet Li movie
ever in America.
If you ask me, if not for the support alone, the
eight bucks alone is worth it to hear these words
come out of Jet Li's mouth:
"I'm Yulaw. I'm nobody's bitch. You are mine."
Priceless. Just priceless.